Uzbekistan Embraces Heritage to Secure Cultural Future

Uzbekistan Embraces Heritage to Secure Cultural Future – One of the key Great Silk Road sites and the pinnacle of Uzbekistan’s cultural legacy is Samarkand. The sixth edition of the international congress, with the theme “Cultural heritage of Uzbekistan: Foundation of New Renaissance,” was held in the city this summer, drawing participants from 40 various countries.

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According to Firdavs Abdukhalikov, the chairman of the board of the research of preservation and popularization of the cultural heritage of Uzbekistan, “over the past six years, our main objective has been the study, preservation, and popularization of Uzbekistan’s cultural heritage.”

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The cultural heritage of Uzbekistan has dispersed throughout the world for a variety of reasons, and our goal is to consolidate it into a single catalog. The public has to be aware of our cultural heritage; Abdukhalikov stated.

Uzbekistan Embraces Heritage to Secure Cultural Future

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In foreign museums, a wide variety of items that reflect Uzbekistan’s cultural history are on display. However, this heritage is compiled into a set of excellent books as part of the “Cultural Legacy of Uzbekistan in World Collections” project. So far, 60 albums have been published.

A rare silk Sogdian dress from the eighth century is on exhibit at the Islamic Arts Museum in Malaysia, which is featured in one of the most recent catalogues presented at the congress. It is a full, complete dress made of silk with decorations running the length of the sleeves and the body. Few institutions have a dress like this.

Nurul Iman Rusli, the deputy head of curatorial at the Islamic Arts Museum Malaysia, claims that the majority only have broken pieces. One of the essential components of Uzbekistan’s cultural heritage is ornamentation. Each complex pattern and color has it’s own meaning.

These signs and symbols were simple to read for earlier generations. The “Encyclopedia of the Ornaments” is bringing back the ornaments, which are now largely forgotten. The production of further publications is anticipated as the cultural legacy initiative continues to grow.

According to Elmira Gul, research coordinator for the Cultural Heritage of Uzbekistan Project, “In the past, people gave these patterns specific meanings and they lived in this environment, where each form had some type of meaning.”

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They resided in a particular category of information field. They believed in its protection and that it brings luck and good wishes. Our goal is to reestablish comprehension of the semantic depth of these ornamental forms, which people currently just see as decoration.

According to social commentators, exporting these priceless ornaments and cultural artifacts only serves to undermine Uzbekistani culture. Nowadays, one of the major concerns of the country is the preservation and celebration of cultural heritage.

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